Wednesday, August 25, 2021

The Expressive Figure Synthesis Workshop

 


Woodstock School of Art 8_28_2021




Synthesis

merging the dynamics of the 2d picture plane with the figurative icon

A brief synopsis of the Dynamics of the 2D picture Plane
Rhythm/Patterns
Tension
Trajectories


The manniken as Icon

Creating a collection of figure silhouettes from gesture sketches, then creating friskets, both small and large scale. Perhaps sequential. Then cutting silhouettes for masking out of oaktag.

Process of Positive and Negative Texture 

Using friskets and charcoal powder and applicators, create texture as a form of color in a spatial exploration of the 2D space. Observe any associative psychology associated therein.





The Workshop begins with jumbo Charcoal 2 minute gesture sketches
Define Gesture
Three across the page horizontaly
5 minute manniken sketches
16 segments


The workshop begins with an intro and cursory review of materials.


Water container


Roller Tray and Roller


Cup of diluted black acrylic ink consistency

Cup of  black acrylic paint milk consistency

Cup of diluted blue acrylic paint ink consistency

cup of diluted sumi ink



Sumi Brush/Hake Brush

water-soluble crayon blue

charcoal/graphite powder



Demonstrate the roller drawing technique. This exercise is geared toward changing a paradigm through the physicality of large-scale abstract figurative drawing.
Define positive and negative silhouettes using black acrylic paint.. Explore the edge of the roller.
Integrate the use of the sumi /hake brush.
Sumi brush to define interior with wrapping strokes of thin paint
Roller to define exterior with thick paint roller strokes, emphasizing the contrast in the brushstroke scale as well as value contrast.




Friday, August 13, 2021

The Expressive Figure Wet Media Workshop

 The Expressive Figure Wet Media Workshop



Woodstock School of Art 8_14_2021





The workshop begins with an intro and cursory review of materials.


Water container
Roller Tray and Roller
Cup of diluted black acrylic paint milk consistency
Cup of diluted black acrylic paint ink consistency
cup of dilute vermillion ink
Sumi Brush/Hake Brush



Demonstrate the roller drawing technique. This exercise is geared toward changing a paradigm through the physicality of large-scale abstract figurative drawing.
Define positive and negative silhouettes using black acrylic paint.. Explore the edge of the roller.
Integrate the use of the sumi /hake brush.
Sumi brush to define interior with wrapping strokes of thin paint
Roller to define exterior with thick paint roller strokes, emphasizing the contrast in the brushstroke scale as well as value contrast.
Then reverse this sequence by painting the exterior background with more diluted grey paint with the smaller sumi brush and then stroke in the interior with the roller.
Duplicate the previous sequence of roller/sumi brush alternating visual fields, only now substitute vermillion sumi brush interior with cutting in black paint roller texture exterior.
Finish with vermillion reverse silhouette and then model interior with roller.
Survey of various wet media figurative artists and introduction to Charles Reid methodology.


Introduction to modeling the figure in two and three values.


Videos on Two Value




Videos on Three Value




Video on triadic color method






















Now at a smaller scale 12" x 19" on the Canson Watercolor paper or Blick drawing pads

Materials
Ink full strength/Cup
Ink Dilute/Cup
Watercolor Red Light
Watercolor Sepia
Watercolor Pink Gouache
Opaque White/Cup: for black paper


Quick Neutral Grey Gouache
Ink Brush/Reed Pen

Astrid Croquis 1



Astrid Croquis 2





Pencil/ or not
Red Light Watercolor
Sepia Watercolor
Ink/Reed Pen






Pencil/ or not
Grey Gouache
Ink/ Reed Pen

Pencil/ or not
Pink Gouache
Ink/ Reed Pen









White Gouache on Black Paper

An assortment of techniques exemplifying the contrast of brushstroke, the contrast of value, and the contrast of color. Also explored are the variations in specific gravities of transparent and opaque paint, as well as inks and their subsequent reactions and how these textures enhance the visual/emotional effect.