Sunday, May 20, 2018

Action of the Head and Neck

The Action of the Head and Neck

This is a schematic by Al Dorne, that illustrates how these structural vertical and horizontal bisecting ellipses, what I like to call the Medial Line and the Mask overlap and converge as the head rotates in space.


Visualizing the Head in 3 dimensions

Visualizing the Head in 3 dimensions

This is a compendium to my Drawing the Head Workshop which was held at the Woodstock School of Art on May 8th and 9th 2018. I used as a syllabus, elements of the Famous Artists Course 1957 version. I believe the illustrations and text are by Albert Dorne who along with Norman Rockwell founded the Famous Artist Corse.

The most important thing in my opinion about drawing the head is in visualizing its volume. These drawings beautifully illustrate how the vertical medial line bisects the head bi-laterally, into two mirror halves. In addition, the horizontal bisecting lines describe the line of the eyes, nose level, and mouth on the egg- like volume of the head and appear as horizontal ellipses, or concentrics.



Planes of the Head

Andrew Loomis Planes of the Head

From my workshop at the Woodstock School of Art

Here is Andrew Lommis' version of the Planes of the Head. There are many versions of the planar head which exist among them: the Asaro head, the Bridgeman head, etc. and I'll post versions of these here.  What these heads all have in common is that the artist is attempting to simplify the skull into more easily interpreted geometric planes. By simplifying the geometry, it enables the artist to better visualize how the skull occupies space and how light falls across it. The variations in the planarity among these artists interpretations reflect these artists own visualization of the skulls volumes.



Drawing the Head

Drawing the Head

This is a compendium to my Drawing the Head Workshop  which was held at the Woodstock School of Art on May 8th and 9th 2018. I used as a syllabus, elements of the Famous Artists Course 1957 version. I believe the illustrations and text are by Albert Dorne who along with Norman Rockwell founded the Famous Artist Corse.

I've added my own observations to this course outline, which rely explicitly on the Medial Line as being the foundation from which drawing the head becomes much easier.


 

Sunday, February 5, 2017

Hatching with Frederick Goltzius


Hendrick Goltzius was a German-born Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, noted for his sophisticated technique and the "exuberance" of his compositions. According to A, Hyatt Mayor, Goltzius was the last professional engraver who drew with the authority of a good painter, and the last who invented many pictures for others to copy".
According to Samuel van Hoogstraten, a student and biographer of Rembrandt, it was the master himself that encouraged his students to copy Goltzius engravings as a way to learn how to hatch.







Hatching with Robert Crumb



Illustrated here are various styles of hatching. Some are combinations of hatching techniques distributed to create contrasting effects. In the work of Robert Crumb, for example, the artist hatches a background with perpendicular fine cross hatching and contrasts this with and area of contour hatching, implying different textures. The masterful use of the contrasting hatching textures can create great luminosity and imply color.